Kim Soo-Hyun Calms Nightmares In ‘It’s Okay Not To Be Okay’
With its ill humored Tim Burton style opening credits, the k-dramatization It's Okay Not To Be Okay rapidly sets up itself as a dim fantasy.
Shadowy topics of bad dreams and selling out saturate the youngsters' books composed by one of the principle characters, writer Ko Moon-youthful, played by entertainer Seo Ye-ji.
Moon-youthful has grasped the darker side of her temperament and doesn't imagine something else. She has no apprehensions about startling wide-peered toward youngsters, inspecting the blood trickling from her uncommon steak or being frightfully inconsiderate to everybody she experiences. She wears her haziness like a defensive shroud, perhaps in light of the fact that she grew up accepting she was a beast and that everybody would locate her shocking.
read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it Something about her chilling books has an uncommon intrigue for Moon Sang-tae, played by Oh Jung-se. The character has chemical imbalance range issue, which makes it hard for him to process specific sorts of data. He doesn't promptly perceive human feelings and effectively gets shook, so he can't generally oversee circumstances that require social association. Rather he goes through hours attracting Moon-youthful's distributed books.
His sibling, Moon Kang-tae, played by Kim Soo-hyun, quietly thinks about him, which frequently implies quieting his upheavals. Kang-tae is merciful and uncommonly made, which makes him well-outfitted to manage his occasionally over-enthusiastic sibling, and furthermore with the patients in the mental ward where he works. His quiet way is compelling but, for some secretive explanation, he never works at any medical clinic for extremely long.
Kang-tae and Moon-youthful meet, similar to their fate, when she shows up at the clinic where he works. The association between them is moment, electric, and upsetting. While she's there for a perusing in the youngsters' ward, she is assaulted by a got away from mental patient. When Kang-tae keeps her from fighting back by wounding her assailant, she reveals to him that a few people have the right beyond words, that there are individuals who slaughter such vermin during the night, so every other person can rest.
At the point when that recovered patient is discovered killed, Kang-tae must think about whether Moon-youthful is truly beast enough to mercilessly execute. As gigantic as she may be, he is attracted to her.
In the Jessie J tune, likewise named It's Okay Not To Be Okay, she sings that "seeing is deluding, dreaming is accepting, it's alright not to be alright."
Maybe enlivened by those verses, the show of a similar name cunningly obscures differentiations between the genuine and the incredible, mental soundness and frenzy, dreams and bad dreams, leaving the characters uncertain what to accept. Every one of the show's driving characters lives with their own bad dream and should grasp the cloudiness of the past before they can proceed onward.
The secretive Kang-tae is a very much picked rebound job for Kim. Aside from two appearance exhibitions in late hit dramatizations Hotel del Luna and Crash Landing On You, It's Okay Not To Be Okay offers his first acting job following two years of serving the compulsory military obligation expected of all physically fit Korean men.
Rising star Seo was most recently seen in the show Lawless Lawyer and the film By Quantum Physics: A Nighttime Venture.
read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more Other than being exceptionally entertaining in the comic film Extreme Job, Oh showed up in the dramatization Hot Stove League which won best show in the 2020 Baeksang Awards and he additionally won a best supporting entertainer grant at a similar service for his job in the dramatization When The Camellia Blooms.
Other than choice exhibitions by these three on-screen characters, there's likewise back-up from some extraordinary supporting entertainers, Park Gyu-youthful plays a medical caretaker, who once knew Moon-Young; comedienne Park Jin-joo plays Yoo Sung-jae, a craftsmanship chief turned flunky; and Kang Ki-doong plays Kang-tae's companion, Jo Jae-soo.
It's Okay Not To Be Okay is the most recent k-dramatization to concentrate on psychological wellness issues, following such shows as Good Doctor, It's Okay That's Love, Kill Me Heal Me, Sky Castle and Chocolate. The expanding ubiquity of this theme difficulties the shame related with psychological instability, which has in the past debilitated some South Koreans from looking for treatment.
read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more Executive Park Shin-charm recently coordinated another dramatization that investigated an emotional wellness issue, Hyde, Jekyll and Me, just as the sentiment, Encounter, and the spine chiller, Phantom.
Shadowy topics of bad dreams and selling out saturate the youngsters' books composed by one of the principle characters, writer Ko Moon-youthful, played by entertainer Seo Ye-ji.
Moon-youthful has grasped the darker side of her temperament and doesn't imagine something else. She has no apprehensions about startling wide-peered toward youngsters, inspecting the blood trickling from her uncommon steak or being frightfully inconsiderate to everybody she experiences. She wears her haziness like a defensive shroud, perhaps in light of the fact that she grew up accepting she was a beast and that everybody would locate her shocking.
read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it read more about it Something about her chilling books has an uncommon intrigue for Moon Sang-tae, played by Oh Jung-se. The character has chemical imbalance range issue, which makes it hard for him to process specific sorts of data. He doesn't promptly perceive human feelings and effectively gets shook, so he can't generally oversee circumstances that require social association. Rather he goes through hours attracting Moon-youthful's distributed books.
His sibling, Moon Kang-tae, played by Kim Soo-hyun, quietly thinks about him, which frequently implies quieting his upheavals. Kang-tae is merciful and uncommonly made, which makes him well-outfitted to manage his occasionally over-enthusiastic sibling, and furthermore with the patients in the mental ward where he works. His quiet way is compelling but, for some secretive explanation, he never works at any medical clinic for extremely long.
Kang-tae and Moon-youthful meet, similar to their fate, when she shows up at the clinic where he works. The association between them is moment, electric, and upsetting. While she's there for a perusing in the youngsters' ward, she is assaulted by a got away from mental patient. When Kang-tae keeps her from fighting back by wounding her assailant, she reveals to him that a few people have the right beyond words, that there are individuals who slaughter such vermin during the night, so every other person can rest.
At the point when that recovered patient is discovered killed, Kang-tae must think about whether Moon-youthful is truly beast enough to mercilessly execute. As gigantic as she may be, he is attracted to her.
In the Jessie J tune, likewise named It's Okay Not To Be Okay, she sings that "seeing is deluding, dreaming is accepting, it's alright not to be alright."
Maybe enlivened by those verses, the show of a similar name cunningly obscures differentiations between the genuine and the incredible, mental soundness and frenzy, dreams and bad dreams, leaving the characters uncertain what to accept. Every one of the show's driving characters lives with their own bad dream and should grasp the cloudiness of the past before they can proceed onward.
The secretive Kang-tae is a very much picked rebound job for Kim. Aside from two appearance exhibitions in late hit dramatizations Hotel del Luna and Crash Landing On You, It's Okay Not To Be Okay offers his first acting job following two years of serving the compulsory military obligation expected of all physically fit Korean men.
Rising star Seo was most recently seen in the show Lawless Lawyer and the film By Quantum Physics: A Nighttime Venture.
read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more Other than being exceptionally entertaining in the comic film Extreme Job, Oh showed up in the dramatization Hot Stove League which won best show in the 2020 Baeksang Awards and he additionally won a best supporting entertainer grant at a similar service for his job in the dramatization When The Camellia Blooms.
Other than choice exhibitions by these three on-screen characters, there's likewise back-up from some extraordinary supporting entertainers, Park Gyu-youthful plays a medical caretaker, who once knew Moon-Young; comedienne Park Jin-joo plays Yoo Sung-jae, a craftsmanship chief turned flunky; and Kang Ki-doong plays Kang-tae's companion, Jo Jae-soo.
It's Okay Not To Be Okay is the most recent k-dramatization to concentrate on psychological wellness issues, following such shows as Good Doctor, It's Okay That's Love, Kill Me Heal Me, Sky Castle and Chocolate. The expanding ubiquity of this theme difficulties the shame related with psychological instability, which has in the past debilitated some South Koreans from looking for treatment.
read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more read more Executive Park Shin-charm recently coordinated another dramatization that investigated an emotional wellness issue, Hyde, Jekyll and Me, just as the sentiment, Encounter, and the spine chiller, Phantom.
Comments
Post a Comment